I was reading Jenny Zhang where she references Tracy Emin and then I remembered my ambivalence about Emin’s work, specifically her neons (even though I’d walk to St. Pancras station just to gaze at her installation), and then I got to thinking about Bruce Nauman’s neons and then I remembered that I had taken this picture from the Nauman collection at Tate Modern. Somewhere down this meandering thought thread I realized what I was really chasing after was a specific feeling.
It came to me in full force on the afternoon I took this picture – I had played truant from assignments and spent a day with art. I emerged only when the gallery closed and remember walking along a sun-soaked Millenium bridge, with my House of Fashion jacket draped over my backpack, happy but also a little heavy. Happy with a deep gratitude, heavy with the knowledge that days like these were temporary.
I haven’t fully processed, written or posted much about last year because of this heavy-happiness that kept following me the entire year. A lot of things happened last year that I wouldn’t have dared dream of. For some of us, our dreams are tethered to our middling realities. Often, we don’t yet have the capacity to dream beyond the things that moor us. Rebecca Elson refers to the “existence of limits” in a poem and it’s a line which keeps coming back to me. A lot of last year was framed through this aching transience, that any moment this would be yanked away from me.
It reminded me of the time I caught a butterfly when I was a child. For a few heartbeats this beautiful thing nestled in my hands, was mine. Then when I touched its wings, it disintegrated into dust and I started crying, horrified at what I’d done.
Anyway, read Jenny Zhang’s prose.