Notes from Delhi: Red Lights

 

Red lights

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Notes from Delhi: Places and Spaces

July 2013, Delhi

To you,

It’s finally happened. I’ve put down roots. They’re hesitant, frail tendrils with a propensity to wither at the slightest provocation but they’ve been planted. After nodding my way through conversations with potential landlords/ladies and looking at one dubious room after another, I’d wearily head back home, climb up to the fourth floor and gratefully seek refuge in my room. The thought of adjusting to a new place seemed awfully cumbersome and I was surprised to find that despite its many limitations, the place I reluctantly lived in for three years had actually grown on me.

*

I can distinguish between 19 different footfalls; I can tell you where the domestic hides the excess supply of tea leaves and tomato sauce; which step you need to watch out for while climbing up; the perfect hot/cold water combination during the monsoons; the best spot on the terrace for a moonrise; how to jiggle the wire of the blender to get it to work; I can show you how to gauge the Help’s mood purely on the basis of the sink symphony of dishes and point out the warmest place during winter.

 

I’ve gotten so comfortable with my neighbourhood. I know its geographical placement well enough to snort with derision and pretend to walk away when the rickshaw driver tries to overcharge. There’s a market a stone’s throw away, complete with a dairy, pharmacy, multiple salons, momo, egg-sandwich, filter coffee and kathi roll-man, Chinese take-out, samosa-man, Namkeen lady and stationary shop. I will remain forever indebted to the seamstress at the market who chided me for wearing clothes three sizes too large for me and refused to make my clothes to the measurements I asked for. “Your clothes,” she seized the sides of my kurtha to emphasize her point, “They are too big for you. A young girl like you. You look old”.  My waxing lady is from Chennai and is well used to my appallingly low threshold of pain.  I think I’m even going to miss the two sylph-like wretches who bring chips and coke, occupy a bench in the park nearby and watch with amusement as those of us who aren’t endowed with high metabolism attempt to get rid of our love handles.

 

If you walk on further, you’ll come to a better stocked market abundant with food shops. From a curiously located bistro serving the standard ‘fusion’ fare, a South Indian restaurant, a few bakeries to a fantastic array of street food (think shawarmas, kebabs, burghers, paani-puri, vada pav, grilled corn, ice cream, parathas). Sandwiched in-between are a smattering of clothes stores and a dance studio. The courier man in this market greets me enthusiastically and reaches for the Sri Lanka price list as soon as I walk in. My digs are extremely close to one of Delhi’s nicest clothing markets and while my friends with finer tuned sensibilities turn their nose at shopping there, my inner tourist and bargain hunter loves it. Exploring it over the years has been an endless source of enjoyment.

 

There isn’t much room for originality in housing complexes in Delhi. With little room for horizontal expansion, the box-like buildings grow vertically with very little to distinguish one from the other. A redeeming feature of my place is the terrace. A large expansive rooftop, it’s not the most picturesque and  it contains all kinds of flotsam and jetsam –the remnants of a swing which served us well for a year and then promptly collapsed in the next, a bathtub, old piles of wood.  But from my fourth floor vantage I overlook a lovely park, dotted with vast heart shaped trees (On rainy days it metamorphoses into a pool. Two views for the price of one), lights of buildings dot the horizon and best of all, I can see the metro. If you know me in real life you will know that I adore the metro and there’s something comfortingly solid about hearing it in the distance. The terrace has seen many moon-gazings, rain dances and confessions. I’ve paced it in frustration and sought refuge from all-nighters with large flasks of tea and pale sunrises.

 

If you come up to the terrace early morning, you’ll see an old gentleman on the rooftop directly opposite, welcoming the day with a cigarette at sunrise.  Always just the one cigarette, after his last drag, he’ll stretch and plod inside for his morning cuppa. The apartment on our right has had a steady stream of expats. During the first year, there were the gaggle of white boys who seemed to have perpetually misplaced their shirts both during summer and winter. The only interaction we had with them was during Holi when their eggs and water balloons would unerringly find their marks while ours would falter halfway, to our intense embarrassment. The Lost (Shirt) Boys gave way to the Staid Couple who always threw interesting parties with bad music. They had a black and white canine horror which was the bane of all the girls on the street and would try to hump everything that moved. Three years of living next door to pigeon breeders has not alleviated my phobia of pigeons. I think it’s the perturbing 360 degree turning heads and beady eyes. It’s beautiful, however to watch the handlers climb up to the cages, form silhouettes against the sunset and call the pigeons with low, musical cries of ‘Aaao, aaao’.

 

The apartment, for the lack of a better word, comfortably accommodates 7 people but houses 20, inclusive of the Help/caretaker and her son. Also, I think it may be an illegal commercial establishment. I vaguely remember when our air conditioners were removed and large calendars of Hindu deities were pasted over the gaping holes, in preparation for a tax raid.

 

The Help possesses the unique ability to translate my Hindi monosyllables into evocative sentences. We communicate through a smattering of English and Hindi monosyllables and charades.  With a penchant for the dramatic, when she talks, her hands mime gestures, her eyes widen and her tone modulates according to her anecdote. On a winter day over a plate of pakoras, she told me about her village in Nepal and her mum’s green thumb and gesturing enthusiastically to highlight the profusion of produce back in her hometown.  The Help’s back-story is intriguing. All of us are privy to her doomed love affair (tired of waiting for her, he got married last year. They still talk furtively at night and she receives mysterious gifts periodically from her ‘friend’) but stories about her husband vary on the theme of tragedy. To one girl, she confessed that he was in a mental asylum. To another, she said that he died in an accident. On my last night, while she was teaching me how to make paranthas and chapattis -mine remain woefully flat and just refuse to puff-she wistfully told me that her husband was an excellent cook and made the best lemon chicken she had ever tasted. She knows that whenever I potter about in the kitchen at night, she’ll find a bowl of pasta or chicken waiting for her in the fridge and she reciprocates by keeping some sabzi aside whenever she cooks for herself. She steps in to the role of surrogate nurse when any of us fall sick, administering an inedible watery dhal-rice concoction called kitchidi which all of Delhi seems to swear by, in times of sickness.

 

Her son, who has mysteriously remained 14 over the past three years, centres his life on cricket. If you walk in to their quarters you’ll see a shrine of newspaper cricketers adorning the peeling walls. Every Sunday, he takes out his threadbare sports shoes and carefully scrubs the remnants of the week off it. His disinclination towards school remains a perennial source of heated arguments between him and his mother.

 

Her daughter is a younger photocopy of her mother, has all of her shrewdness but none of her mother’s warmth. For a child so young, she has surprisingly adult-like mannerisms and has perfected the hand on the hip stance, the hair flick and the disapproving lip-twist. Recently just returned after a year of Boarding School in Nepal she has now graduated from cartoons to soap operas and reality TV.  Notoriously light-fingered, biscuits, clips, nail-polish, shiny things and stationary left out are assumed lost for ever.

There’s nothing particularly remarkable about this neighbourhood or my apartment. Despite all my romanticizing, you’re going to find imitations nestled all over Delhi, superior terraces and far more interesting flatmates. But it was my little niche in the big city. Granted, there are lots of things I could have done differently but I’ve built a life in a new country from scratch. From not knowing anyone in this city, I’ve advanced to a stage where I walk into a random literary reading and will be likely to spot a familiar face. Whether it’s being warmly greeted by a shopkeeper or a chocolate and post-it note professing affection being left on my desk, its little things like these which ward off the overwhelming obscurity and loneliness of being a small fish in a vast pond.

*

Have you seen how dogs sniff warily at a spot, circle it a few times and only then flop down for a nap? I’m a bit like that these days with my new digs. Perhaps, minus the sniffing though.

When I started this letter, I was apartment hunting. A few drafts later, I’ve said goodbye to the place I called home for three years in Delhi, and am cautiously getting acclimatized to my new surroundings, flatmates, unwelcome surprises and quirks of the place. The pinkness of my room is unsettling (The walls are pink. The cupboards are pink. The shelves are pink. It’s like living in an Aerosmith song) and I keep hitting my head on the multiple wind chimes my landlady seems unduly fond of. I’ve stacked up on biscuits and made friends with the two strays who have taken it upon themselves to guard the gate and got my game face on.

This letter is already too long and I can feel your exhaustion.

 

Yours in flux,

Me.

 

Jaipur Lit Fest – Vignettes

Waiting for the Dalai Lama

Heavily pencilled-schedule in hand and books in backpack, I walk past the lines of people waiting to greet his Holiness the 14th Dalai Lama and navigate past the formidable bodyguards (a new addition to this year’s festival). The Dalai Lama, wagging his finger informs the packed front lawns that money fails to bring inner peace and the ultimate source of happiness and joyfulness lies within ourselves. There’s a curious disconnect between the shadow of the lurid pink tent, the large sponsor banners and the calm spiritual leader as he draws parallels between science and religion (both seek reality through investigation) and solemnly informs us that corruption is the cancer of the whole world.

Under normal circumstances and armed with a healthy supply of scepticism characteristic of our times, most people might have dismissed this as rehashed wisdom but a quick glance around reveals that the sheer charisma and endearing simplicity of His Holiness has the audience absorbed. He shared anecdotes with writer, Pico Iyer about a life of eternal learning and anecdotes about his early years. Themes of home and belonging shadowed most of the sessions at the festival and the reminder that the 77-year-old who has devoted his life to the promotion of secular ethics, human happiness and inter-religious harmony has spent 54 years in exile is a sobering one.


Walking in to the Diggi Palace this year was like coming back home and finding the furniture rearranged in your absence. You’re a little disconcerted but then it starts to grow on you. The ingredients for the sixth edition of the Jaipur Literature Festival consisted of five days, 174 sessions (with new locations being added to the existing venue, hence the initial bewilderment), 275 speakers, a footfall of 200,000 visitors, a handful of music events and customary hullabaloo all shaken and stirred.

From debates on the literatures of 9/11; the role of the writer and the state to Sharia Law; nationalism and Arab Literature as well as an added emphasis on Buddhism and literature, the political and religious overtones which occupied a chunk of the schedule seemed curiously apt. The concept of readymade religion dropped out of heaven devoid of cultural and political influences was swiftly unpacked. As was the idea that religion has a monopoly on violence around the world. The cheerful conclusion of a majority of these sessions was that humans don’t need a reason to kill each other.

Decor at the festival 2

The strands of academic thought emphasised during the run up to the festival in an effort to make up for last year’s pomp were augmented with academic heavy weights Gayatri Spivak, professor at Columbia university (old literary theory joke about Spivak’s convoluted writing runs along the lines of ‘it’s not a question of whether the subaltern can speak, but whether they can Spivak’); literary and cultural theorist Homi Bhabha, head of the Humanities Centre at Harvard University; Diana L. Eck, from the Harvard Divinity School and political philosopher Michael Sandel, also from Harvard University. Michael Sandel was a personal favourite as he held forth on the cost of market economies warping into market societies where anything can be bought if you flash the right amount of cash.

My gift to you today are two fun if slightly startling facts from Sandel’s session. A prison cell upgrade at Santa Barbara prison will cost you about 80 dollars and writer Fay Weldon was paid a hefty sum to advertise the jeweller Bulgari, taking product placement to whole new heights. The 2001 novel titled ‘The Bulgari Connection’ mentioned the jeweller 34 times and was studded with literary gems such as ‘A Bulgari necklace in the hand is worth two in the bush’.

British born author of Indian origin and currently residing in Japan, Pico Iyer sums up the concept of home poignantly “Home is not a piece of soil but a piece of soul”. Laleh Khadivi likens her hyphenated identity to a migratory bird. Author of Cutting for Stone Abraham Verghese bluntly acknowledges that medicine is his first love and that he could give up writing but not practising medicine. The schoolgirls in front of me debate whether to get Ariel Dorfman’s autograph as he shuffles in front of us. After minutes of furious whispering, they shyly approach him with their well-worn exercise books. Dorfman peers at them and obliges. “Have you read any of my books though?” he asks. They smile and shake their heads.

Audience at the Festival
The phantoms of Homer and Vyasa deign to make an appearance in Jaipur as the Epic is dissected -“Mythology lives by retelling. It is constantly renewing itself. To retell the myth is to honour the myth”. College students hold up the line for Madeline Miller’s book signing by vociferously airing their opinions on Achilles and Patrocles. A session on ‘Reimagining the Kama sutra’ is well attended. I wonder if it is perhaps a little too well attended as a five – year- old perched on her mother’s lap stretches in boredom. Both panellists have reimagined the Kama sutra in two very different ways. Pavan Varma insists that it empowers women while K.R. Indira refuses to budge on the stance that it sees women as objects. The audience leaves happily divided.

Madeline MillerMadeline Miller

The steady stream of sessions continues and as the weekend progresses, the literary tourists have swollen in numbers. “Nobody knows this but we [Latin American writers] are very funny,” quips Santiago Roncagliolo. Roncagliolo compares himself to a dictator (“My characters do what I want them to do. If they don’t, I kill them”) as he and Ariel Dorfman banter about writing and their Latin American identity. Both speak about the deep seated relationship Latin American writers have with their readers – something I wonder if those of us of the subcontinent will be lucky enough to have. As evening descends over the festival, the silhouette of a boy on a rooftop attempting to fly a kite is projected on the blue backdrop of the tent.

Five novelists on stage debate about the novel of the future which deviates into a conversation of the future of the novel. All of them unsurprisingly agree that the novel isn’t dead. They touch on the curious case of the decline of reading and the surge in writing – clearly everybody wants to be a writer, but no one wants to read other people’s writing. At first, words come hesitantly to British-Pakistani novelist Nadeem Aslam (“My deepest conviction is that there is nothing extraordinary about me”) who then proceeds to charm the audience – “Novelists don’t tell you what to think, they tell you what to think about”. Booker Prize winner Howard Jacobson dismisses most readers plaintive request for ‘likeable’ characters – “When did you last read Shakespeare and want to have Macbeth & Lady Macbeth over for dinner”- and uncannily hits the nail on the head about the tragedy of our times – “Has the literary event replaced reading?” A festival favourite this year, Jacobson had his fans from the moment he cheerfully tore into fifty shades of grey.

Jeet Thayil wins the DSC prize for South Asian Literature and dedicates his award to fellow nominee Jamil Ahamad. The 10 finalists for the Man Booker Prize (which is given for a body of work by an author, not an individual book) were announced at the festival, with three writers from Asia making the list. Aminatta Forna, Ahdaf Soueif, Zoe Heller, Sebastian Faulks, Reza Aslan, Christopher Ricks, Elif Batuman, Gary Shteyngart are few other names which punctuate the list of speakers at this year’s JLF.

Sebastian Faulks obliging a fanSebastian Faulks obliging a fan

I bump into one of Sri Lanka’s additions to the festival. Ashok Ferrey and I bond over a mutual nostalgia for spicy Sri Lankan food (This is starting to sound like one of those name-dropping gossip columns. A thousand apologies) Ferrey describes his first time at the festival as “absolutely mindboggling” and remarks on the expansive demographic and democratic nature of the festival.

The pen may be mightier than the sword but it paled in the presence of the bat and Bollywood as Rahul Dravid and Sharmila Tagore proved to be two stars of the festival. A section of each session is devoted to questions from the audience. Unfortunately there are questions and then there are solipsistic life précis. The sense of power a microphone bestows on a person boggles the mind and is every moderator’s nightmare. After the end of one particular session, we receive the literary equivalent of a move trailer – a slim booklet with the first chapter of a book soon to be released in February.

A visitor at the festival

A visitor at the festival

Sitting on the lawn on the final day and observing the mixed bag of humanity which makes up the festival, it’s a little hard to imagine that the first edition started off with 2500 people. The economic repercussions of the loss of 1.5 crore (278,000 dollars) this year however poses a credible threat to the festival bubble. Where is the festival headed next year? Simultaneously the larger the festival, the larger scope for ruffled feathers, sulks and tantrums. The political repercussions in the past certainly haven’t left the festival untouched. The festival was preluded by threats of violence from Muslim fundamentalists if either of the four authors who read excerpts from Rushdie’s Satanic Verses last year, attended this year. Not to be outdone, the Hindu right-wing group RSS and the national opposition Bharatiya Janata Party promptly warned Pakistani writers from participating in the festival, citing escalating tensions along the ‘line of control’ – the border separating Kashmir. During the course of the festival, academic Ashish Nandy’s remark about caste and corruption was stripped of context, taken in its barest literal meaning and used as a vaulting pole for stirring agitation. The absolutist response to the controversy (I’m a little tired of this word becoming synonymous with the festival now) garnered by a poorly articulated remark is reminiscent of Lewis Carroll’s foul tempered monarch’s refrain “Off with their heads” in response to the slightest offence. Who says life doesn’t mirror literature?

Notes from Delhi: Shadow Days


Every now and then I see traces of familiar faces on strangers.

Yesterday I saw my grandmother’s nose. The other day I saw a lady who could have passed off as a friend’s mother – the same thin eyebrows, the hands and even her gait were all remarkably similar. Once, on the metro I came across a man who reminded me of my dad. Physically, there was nothing similar but his unusually upright posture and the way he would peer over his glasses every now and then resignedly, while his grandchildren played and climbed over him, struck a chord. Suddenly for the first time in months, waves of home sickness washed over me.

*

I love the ephemeral connection of reaching out to a complete stranger. Even if it’s simply a casual recommendation to a stranger at a cafe or striking up a mundane conversation about how late the metro is. It’s not always groundbreaking conversation or extraordinary epiphanies but for those few minutes, it’s a link of sorts with a person you don’t know. I think it’s also one of the reasons I like this site so much: http://missedconnectionsny.blogspot.in/

I shared a three-wheeler with a lady a few weeks ago. I had gone to Gurgaon and needed to head back to the metro station. Three-wheelers were scarce and terribly expensive. The driver said he had a usual hire, but he’d drop me on the way. My companion gave me a cursory glance and then remained formidably silent until I hesitantly broke the silence with a commonplace remark about the traffic. Within minutes she was showing me pictures of a beautiful, almond eyed baby and telling me about her shift to a new neighbourhood.

There’ve been multiple times when I’ve fervently wished I knew better Hindi, the people in this city are brimming over with stories if you’re willing to take the time to stop and listen.

I like flying alone for this reason. I have this fantasy where I find myself seated next to a stranger and we end up conversing for hours throughout the flight and then wind up the best of friends. Sadly, I’ve had some horrible experiences with flying companions but I still board every flight in hope of finding that elusive stranger.

*

I’ve started asking questions and I’m not sure how to stop

*

There’s an old perfume shop in Old Delhi that I usually go to buy soaps for my grandmother. It’s one of those places where (pardon the cliché) time has stopped still. Perfumes are stored in large glass containers with circular stoppers, the packaging of the soap is simple and unadorned and a heady cocktail of varied scents assail your olfactory senses as soon as you enter. On a whim I decided to pick up some perfume and attar along with some soap.

Firstly, the perfumes have such lovely names. Strangely, they were easy to choose because the scents sort of reminded of certain people and I ended up buying them as gifts for said people. The attar was stronger, more pungent and there was one which exuded the scent of the earth after rain –how lovely does that sound?

*

We were travelling in a cab when suddenly our driver halted to a stop and pulled over to the side. When asked what happened, he informed us that a black cat had just crossed the road and he was waiting for another car to pass by before continuing. I was a little amused by this but my companions nodded as if it was the most normal thing in the world to do.

Outside a Tailor’s shop in Wellawatte

I was reading up on some superstitions and customs followed in India and was reminded of the ones followed in Sri Lanka. The devil’s mask to ward off evil, the boiling of milk for prosperity, the lime and chillies hung on vehicles and doorways – it’s all really very fascinating, regardless of whether you believe in them or not.

Even at home, there were certain rituals which were ingrained unconsciously from an early age. I remember my mum telling me not to cut my nails during Maghrib, my grandmother carefully packing a lime into my food to ward off evil spirits and being told not to sweep the house after sunset.

*

I decided to go to a park and study the day before yesterday. I’d been cooped up for days and I was starting to feel restless. I don’t thrive very well in cramped spaces, I could feel the beginnings of the flu taking over my body and I figured some fresh air would do me good. Plus, Delhi’s evening weather of late has been fantastic and so I went.

I sat on the grass and unpacked my bag. I had my camera, a pack of juice, an apple, two pens, a pencil, a highlighter, a notebook, a file, rough paper, a sketch pad, hand sanitizer and a bottle of water… But I had forgotten to pack my text books.

Beautiful People

Darjeeling and Gangtok were filled with some of the most evocative faces I’ve had the pleasure of encountering.  (Last of the Holiday posts, I swear)

The story teller.  Our driver to Changu Lake regaled us with the most fascinating stories about some of the myths surrounding the lake.  He also took some excellent pictures with my friend’s camera. I have a feeling he might be in the wrong profession.

Karate Kid

The Barbershop

Little boy doing a big man’s work

Left: Boy-priest who became visibly agitated when tourists insisted on posing with the various Buddha statues in the monastery and tried to coax him into posing with them.  (I loathe that kind of blatant irreverence at places of worship. My sympathies were with the monk)

The chap with the snazzy headgear is Wong. He refused to pose for a picture but then graciously deigned to be photographed when I complimented him on his hat. Bottom left, adorable, serious faced little girl we met along with her dad at Darjeeling. Also, isn’t the smile on the girl at the top right  too cute?

Thai Priestess, Gangtok

The two ladies in the middle have been friends since childhood 🙂

Photography and I

Photography and I fell out of love a while back. It wasn’t pretty. Tears were shed, tantrums were thrown, hearts were broken.

My fling with photography started off about five years back. I took pictures for three years with my trusty camera phone before I advanced to a compact point and shoot, which has accompanied me since. There were instances when I was unfaithful. More talented, capable friends lent me fancier cameras to play around with and I was only too glad to accept their equipment to meddle around with. I’m not proud of my moments of infidelity but I would be lying if I say I didn’t enjoy them. There’s this exhilaration and an inexplicable high that taking a great picture brings which my compact (I’m very sorry. It probably wasn’t you. It was me) has never given me throughout all these years together.

I entered photography with the unbridled enthusiasm I leaped into marble papering, candle making, art and all my other abandoned relationships along the years. You may say I have commitment issues, I say you’re young once. The early years with photography were beautiful. You know, the twilight days where your rose tinted glasses are still firmly wedged on your face. No dish was too menial to be digitally immortalized; no event was complete with multiple pictures and I could not pass a flower or a baby without kneeling down to photograph it/her/him. Quantity took precedence over quality (I think I have 20 pictures of a tiger lily in my garden. At least a 100 of my cat) In a flood of mediocrity, there were a few good ones. There were moments when I would be inspired but they were few and far between. When I moved to India, I was dizzy with delight. This place is a photographer’s haven. All the Indian clichés you have seen in Hollywood movies unfurl around you, alas, minus the exotic, Eastern soundtrack in the background. I was going to conquer Delhi, one mega pixel at a time.

Somewhere down the line, the romance fizzled out. I’d take pictures reluctantly, as though it was something I had to do, not because I wanted to do it. The experimentation stopped abruptly. I even stopped gazing wistfully at the many SLR toting people I’d encounter. The once tangible chemistry was no more, the conversation, dried up.

The streak of disinterest and mediocrity continued and the rough patch snowballed into an estrangement. I stopped making an effort and feigning interest and the fissure gradually deepened more and more.  Long hours spent watching youtube post processing tutorials and stalking my favourite photographers became a thing of the past. My incessant need to document Delhi abated and I started listening to a lot of Adele. What was once the pride and joy of my life was banished to the depths of my cupboard along with the Kiran Desai book I’ve picked up countless times but never been able to get through. In retrospect it was a strange time. Even people around me noticed the absence of my better half and saw through the veneer of my watery excuses.

Like all broken relationships, I played the blame game. There was nothing wrong with me, I told myself firmly – it was my camera! And the answer, I made up my mind, was a very fancy, very expensive SLR. Upgrading, I am told is the norm.  Your clothes, your car, your phone, your computer, your house; maybe it was time to end things with my compact? Hell, if the 16 year old kid on my Facebook friend list could own a SLR, take a bad picture, stick a vintage vignette, chuck in a profound quote and call it photography, I could too.

Fortunately or unfortunately, financial practicalities prevented me from immediately sauntering in to an electronics store and I dislike running to my parents every time I want a new toy. Plus, the timing didn’t seem right so I reluctantly accepted that I was stuck with my compact for better or for worse, or at least for the time being. I wish I could tell you that we patched things up perfectly and walked off to photograph a red and gold sunset but Walt Disney lied. There are no fairy tale endings in the real world.

Things haven’t been all that bad though. I like to think the romance is still there. A few weeks ago, I stopped to check the ISO settings and played around with the composition. While on holiday recently, I switched on to trigger-happy mode and went a little crazy with the picture taking (picture beautiful people, mountains and the bluest of blue skies. You couldn’t be immune to the atmosphere if you tried). Another day, I even opened up photoshop.

People have overcome bigger ruts, made tastier lemonade and every chick flick I have watched has informed me that all relationship have its ups and downs. I haven’t taken a picture I’m proud of, in a very long time but I like to remain optimistic. Let’s see how everything goes over the next few months, shall we?

 

Notes from Delhi: Baby, it’s cold outside

The weather is changing. There’s a chill in the air, the days are getting shorter and we’ve just convinced our landlord to install the geyser in our bathroom. Within a week, I’ll have to drag my winter wear out and pack away my Summer clothes for the next few months.

Winter is around the corner and it basically boils down to thermal wear, comfy sweat shirts, hot chocolate, living in converse, huddling under my quilt and spectacularly over sleeping through my morning classes. It also means frozen noses and fingers, borrowing M’s hair dryer to warm ourselves and being left to the mercy of hot water bottles.

The advent of winter also means that I’ll be dreaming of an island in the sun a little more often.

Of shores dotted with palm trees.

Frothy waves,

Sunset skies,

Lazing on the sand

And beach getaways.

I’m a little more prepared for Delhi’s brutal (I’m an island person. Anything less than 18 Celsius chills my bones) winters. I’ve also made up my mind that I will battle the winter blues with lots of prawn fry, movies, books (Hello flipkart. Goodbye money) and making use of the weather by doing more exploring around the city.

Plus, on the upside, the lack of humidity really does wonders to my hair.  Let’s see how it goes, shall we?